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The Private Eyes, starring Don Knotts and Tim Conway

The Private Eyes

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The Private Eyes (1980), co-starring Tim Conway and Don Knotts

 Don Knotts and Tim Conway co-star in The Private Eyes. It’s a silly little comedy where they spoof the murder mystery in general, and Sherlock Holmes in particular.  Called from Scotland Yard, Inspector Winthrop (played by Don Knotts), and his bumbling assistant Dr. Tart (played with mindless abandon by Tim Conway) to solve the murder of Lord Morely.

The Apple Dumpling Gang Rides Again

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The Apple Dumpling Gang Rides Again (1979) starring Don Knotts, Tim Conway, Harry Morgan

 In The Apple Dumpling Gang Rides Again, Amos and Theodore (Tim Conway and Don Knotts) the two bumbling outlaw wannabees from The Apple Dumpling Gang are back. They are trying to make it on their own. When they arrive at the town they are going to, all sorts of things go awry. They accidentally subdue the town’s legendary lawman, Wooly Bill Hitchcock thus enraging him into tracking them down. They also are accused of bank robbery. And they “enlist” in the army, and burn down the fort. Amid all this, the army is besieged by someone stealing their supplies.

The Prize Fighter

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The Prize Fighter (1979), co-starring Tim Conway and Don Knotts

 The Prize Fighter is a very funny, very sweet comedy.  Set in depression-era America, Tim Conway stars as Bags Collins who has a perfect record as a boxer – twenty fights, twenty knockouts—and twenty losses.  His manager, Shakes, is the ‘brains’ of the team, played by Don Knotts.  However, his luck starts to change, and Bags starts to win against other ‘loser’ boxers and eventually gets a shot at the title in his weight category.  Unfortunately, this is when they find out that the fight has been rigged …

Silent Movie

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DVD review of Mel Brooks’ Silent Movie – Aspiring filmmakers Mel Funn (Mel Brooks), Marty Eggs (Marty Feldman) and Dom Bell (Dom DeLuise) go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio’s creditors attempt to thwart them

Editorial Review of Silent Movie, courtesy of Amazon.com

 One of Mel Brooks’s weaker vehicles, this 1976 feature finds a movie producer (Brooks) deciding that the public is ready for the silent film form again. Reasonably ambitious and promising, the film ultimately doesn’t do for silent cinema what Brooks did for atmospheric horror (by reviving it while parodying it) in Young Frankenstein. Lots of famous faces pass through Silent Movie, to varying effect. Perhaps the best joke in the movie is the one performer who actually has a line of dialogue: mime Marcel Marceau. —Tom Keogh

The Sid Caesar Collection – The Fan Favorites – 50th Anniversary Edition

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Editorial Review of The Sid Caesar Collection – The Fan Favorites – 50th Anniversary Edition, courtesy of Amazon.com

 “When we worked together,”reminisces Sid Caesar, “it was magic, and you don’t question magic.” So just enjoy this essential three-disc collection of vintage sketches from Your Show of Shows and Caesar’s Hour. To work on these programs was to attend “the Harvard of Comedy,” and this “great amalgamation of talents,” which included Carl Reiner, Imogene Coca, Howard Morris, Nanette Fabray, Woody Allen, Mel Brooks, Larry Gelbart, and Neil and Danny Simon, were at the head of their class. “We did everything,” Caesar notes at one point, and the proof is on these discs: domestic sketches (“Life Begins at 7:45″ ), game show parodies (“Break Your Brains” ), spoofs of foreign films (“U-Bet-U” ), opera (“Gallipacci” ), and classical music (and a pantomime of “the 1812 Overture” ). It is a testament to the knowledge, technique, and taste of those who created the show that these 50-year-old sketches hold up as well as they do. This was the golden age of live television, when anything could happen, and the cast would have to go with it. In “Gallipacci,” Caesar’s make-up pencil breaks when his character, a heartbroken clown, is applying make-up to his face. Without missing a beat, Caesar rises to the potentially disastrous occasion with one of the most inspired ad-libs in television history.

The Emperor’s New Clothes

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The Emperor’s New Clothes, starring Sid Caesar, Robert Morse, Jason Carter, Lysette Anthony

DVD review of The Emperor’s New Clothes starring Sid Caesar, Clive Revill, Robert Morse. A very good children’s film that plays on two levels – one for the children, and another for the adults, with the perpetually funny Sid Caesar cracking me up every time he appears as the self-absorbed emperor

Sid Caesar is one of those clowns who can take a minor part and make it laugh out loud hilarious — which he does in this version of the classic children’s tale, The Emperor’s New Clothes.

The Navigator

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The Navigator, starring Buster Keaton and Kathryn McGuire

 The Navigator is one of Buster Keaton’s best films, and it’s easy to see why.  In The Navigator, Buster Keaton plays the part of Rollo Treadway. He’s a young man who is rich, but without purpose in his life.  He decides to propose to his girlfriend, who rejects his proposal.  Heartbroken, he decides to go on a cruise to help him forget about his trouble.  At the same time, his girlfriend and her father are involved in a problem on a large ship that he owns.  This results in the girlfriend and Buster both being on board the ship as it is set adrift.

Lost Keaton

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Product Description of Lost Keaton

 For Buster Keaton, the era of the talkies was a tumultuous time. As a result of signing with MGM, the quality, the quality of his ambitious, eclectic comedies began to decline and in 1934, he signed a contract with Earle W. Hammons Educational Pictures which, despite its name, specialized in comedy short subjects. Keaton’s move to Educational was a return to his roots, crafting a stream of two reel comedies in rapid succession, as he had done in the early 1920s, when he first refined his cinematic craft.The films Buster Keaton made with Educational Pictures (ALL sixteen of which are collected here) pay homage to his earlier work, but at the same time incorporated the element of sound, all while exploring new possibilities for his recurring comic persona, Elmer.

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