A Tale of Two Cities (1935). Starring Ronald Colman, Elizabeth Allan, Donald Woods, Edna May Oliver, Reginald Owen, Blanche Yurka, Basil Rathbone
Synopsis of A Tale of Two Cities
This is far, far better filmmaking, too. It’s a Golden Era marvel of uncanny performances top to bottom. It boasts eye-filling crowd scenes. The storming of the Bastille, thronged courtrooms and an eerie festival of public execution. Most importantly, lasting emotional power. Revolution is in the air!
Editorial review of A Tale of Two Cities courtesy of Amazon.com
Ronald Colman isn’t even on screen for the most famous lines of his career (“It’s a far, far better thing I do…”), but such is the power of the moment and the performance that everybody remembers it anyway. A Tale of Two Cities was the follow-up for producer David O. Selznick and high-class studio MGM to their hit adaptation of another Charles Dickens novel, David Copperfield. While not scaling the heights of that impeccable production, Tale gives a tight, straightforward reading of Dickens’ story of the French Revolution.
Colman plays the drunken romantic Sydney Carton, who pines for the lovely Lucie Manette (Elizabeth Allan) even though she marries former French aristocrat Charles Darnay (Donald Woods). Meanwhile, back in Paris, the Revolution erupts, and Darnay is fated for the guillotine… perhaps. Along with Colman’s expert study in melancholy, the film is crammed with fragrant supporting players, such as Edna May Oliver, Reginald Owen, and the uniquely unsettling Blanche Yurka as the endlessly-knitting Madame Defarge.
In a handful of scenes, Basil Rathbone makes the Marquis de Evremonde the quintessence of clueless privilege (“With what I get from these peasants, I can hardly afford to pay my perfume bill”). Journeyman director Jack Conway doesn’t have the lovely touch that George Cukor brought to Copperfield, but Selznick hired him because “the picture is melodrama, it must have pace and it must ‘pack a wallop.'” It still does. Footnote to film history: Selznick’s assistant, Val Lewton, supervised the Revolutionary montage, and hired director Jacques Tourneur for the job; later they would team up on Lewton’s great run of B-horror pictures, beginning with Cat People. –Robert Horton
Cast of characters
- Ronald Colman (Lost Horizon) … Sydney Carton
- Elizabeth Allan (David Copperfield 1935) … Lucie Manette
- Edna May Oliver (The Story of Vernon and Irene Castle) … Miss Pross
- Reginald Owen (The Pirate) … C.J. Stryver
- Basil Rathbone (Sherlock Holmes and the Secret Weapon) … Marquis St. Evrémonde
- Blanche Yurka … Madame Therese De Farge
- Henry B. Walthall (The Devil-Doll) … Dr. Manette
- Donald Woods (13 Ghosts) … Charles Darnay
- Walter Catlett … Barsad
- Fritz Leiber … Gaspard
- H.B. Warner (Five Star Final) … Gabelle
- Mitchell Lewis … Ernest De Farge
- Claude Gillingwater … Jarvis Lorry Jr.
- Billy Bevan (Dracula’s Daughter) … Jerry Cruncher
- Isabel Jewell (The Leopard Man) … Seamstress
- Lucille La Verne (Kentucky Kernels) … The Vengeance
- Tully Marshall (He Who Gets Slapped) … Woodcutter
- Fay Chaldecott … Lucie – the Child
- Eily Malyon (On Borrowed Time) … Mrs. Cruncher
- E.E. Clive (The Hound of the Baskervilles 1939) … Judge in ‘Old Bailey’
- Lawrence Grant … Prosecutor
- Robert Warwick (The Whispering Shadow) … Judge at Tribunal
- Ralf Harolde … Prosecutor
- John Davidson … Morveau
- Tom Ricketts … Tellson Jr.
- Donald Haines … Jerry Cruncher Jr.
- Barlowe Borland … Jacques 116