In How to Commit Marriage, seemingly happily married couple Frank and Elaine Benson (played by Bob Hope and Jane Wyman) are on the verge of divorce. But they plan to wait until after their daughter’s marriage. The groom’s father, Oliver Poe (Jackie Gleason) opposes marriage in general. And he dislikes Bob Hope’s character in particular.
This is the film based on the true adventures of Izzy and Moe. They were two retired vaudeville performers who, being unemployed, decide to become prohibition enforcement agents. They are initially treated with scorn from fellow agents as old men pretending to be cops. That abuse soon stops when the pair refuse to use the standard but futile methods of the agency. Instead, they employ their theatrical experience to use an amazing variety of disguises and tricks. They become two of the most effective agents in the force. Eventually, their outstanding string of successful raids and arrests starts drawing the attention of the mob and their bought cops, who desperately plan to stop this pair.
The Hustler – Blu-ray – Paul Newman heads a superb cast featuring Jackie Gleason, George C. Scott and Piper Laurie in the riveting film that received an Academy Award nomination as Best Picture of 1961 and brought all four of it’s Oscar nomination. Newman (Best Actor nominee) is electrifying as Fast Eddie Felson, an arrogant, amoral hustler who haunts backstreet pool rooms fleecing anyone who’ll pick up a cue. Determined to be acclaimed as the best, Eddie seeks out the legendary Minnesota Fats (Gleason, Supporting Actor nominee), who’s backed by Bert Gordon (Scott, Supporting Actor nominee), a predatory gambler.
Gleason is a wonderfully done television biography of Jackie Gleason, starring Brad Garrett, best known for his television sitcoms Everybody Loves Raymond and Til Death. I was absolutely flabbergasted by Brad Garrett’s performance. Not only did he do a wonderful acting job, but he truly made the character of Jackie Gleason come to life. Given his size, I would never have believed that he could carry off the role of the pudgy comedian Jackie Gleason. I was totally wrong.
Requiem for a Heavyweight is a very powerful, very hard-hitting movie about boxing. Rod Serling wrote a teleplay that shows the steamy underbelly of professional boxing — and it’s not a pretty picture. In short, Rocky it isn’t. The movie begins with Anthony Quinn, the ‘Heavyweight’ of the title, losing his final boxing match to (a very young) Cassius Clay. Anthony Quinn’s character, Louis ‘Mountain’ Rivera, has become punch-drunk and is on the verge of losing his eyesight in the boxing ring. His corrupt manager (played extremely well by Jackie Gleason, in a very serious role) needs to find a way to pay back the mob … and if that means ruining Rivera’s chance at happiness, then so be it.
Polio breaks out in Rio de Janeiro, the serum is in Santiago and there’s only one way to get the medicine where it’s desperately needed: flown in by daring pilots who risk the treacherous weather and forbidding peaks of the Andes.
In Counsellor at Law, John Barrymore stars as George Simon, a high-powered attorney who frantically juggles scandals, crimes and crises that pass through the chrome-and glass doors of his art deco office high in the Empire State Building. Balanced on an ethical tightrope, Simon engages in insider trading and bleeds funds from wealthy clients, while tending to the needs of the less fortunate New Yorkers who come from his own working-class (Jewish) background. A political enemy uncovers a past legal indiscretion and begins disbarment proceedings, causing Simon’s socialite wife (Doris Kenyon) to seek comfort in the arms of another man (Melvyn Douglas). With the unflagging support of his faithful secretary (Bebe Daniels), Simon attempts to exercise his legalistic wizardry to defend his reputation and protect those who rely upon him for justice.
A Tale of Two Cities (1935) “It was the best of times, it was the worst of times….” Charles Dickens‘ tale of love and tumult during the French Revolution comes to the screen in a sumptuous film version by the producer famed for nurturing sprawling literary works: David O. Selznick (David Copperfield, Anna Karenina, Gone with the Wind). Ronald Colman (The Prisoner of Zenda) stars as Sydney Carton. He’s sardonic, dissolute, a wastrel… And destined to redeem himself in an act of courageous sacrifice. “It’s a far, far better thing I do than I’ve ever done,” Carton muses at that defining moment.