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Gorjia, aka Godzilla

Gojira (1954) starring  Akira Takarada, Momoko Kôchi, Akihiko Hirata

Synopsis of Gojira

buy from Amazon.com When the ocean’s surface begins to boil white-hot and a Japanese freighter vanishes into the Pacific, the superstitious villagers of Odo Island fear an ancient legend has come true–the legend of Gojira! Awakened from an eons-long sleep by an atomic bomb explosion, the behemoth turns Tokyo into a wasteland of atomic fire and rubble.  Who, or what, can stop it?

Review of Gojira

Gojira vs. electricityEditor’s note: This review is for Gojira, the original Japanese Godzilla movie – not the Americanized version with Raymond Burr – that will be reviewed under Godzilla- King of the Monsters.

I’d like to contrast it with the Burr version.  In short, it’s a much tighter story, slowly moving from something causing destruction at sea, and on Odo island, until it’s finally seen about 25 minutes into the film.  Gojira is a devastating terror — a mobile natural disaster, that mankind’s technology is worthless against.  Gojira is a metaphor for the potential dangers of atomic radiation – but it’s more than that.  It’s a metaphor for humanity’s hopelessness, despite our hubris, against nature unbridled.

Ogata, Emiko, Serizawa, and the invention - the oxygen destroyerBut Gojira is, at its’ heart, a story that deals with people.  Several protagonists, whom the audience comes to care for, and care about.  Three of whom are involved in a romantic triangle.

Characters in Gojira

  • Hideto Ogata (Akira TakaradaGodzilla vs. the Sea MonsterGodzilla 2014).  Pilot, the first protagonist, who’s in love with Emiko.
  • Emiko Yamane (Momoko KôchiGodzilla vs. DestroyahThe Mysterians).  Lovely, kind, young lady, who’s in love with Ogata.  But engaged since childhood to Serizawa.
  • Daisuke Serizawa-hakase (Akihiko HirataSanjuroGodzilla vs. Mechagodzilla).  The brilliant scientist, who may have found a way to stop Gojira.  But he fears that his knowledge is too dangerous to use – if used once, it can be used again.  And it could lead to the destruction of all life on the planet.  He also is truly, deeply, in love with Emiko.  And he knows that she doesn’t return his feelings.
  • Tokyo in flames, courtesy of GojiraKyohei Yamane-hakase (Takashi ShimuraSeven SamuraiRashomon).  Emiko’s father, a leading palaeontologist sent by the Japanese government to Odo island.  There, he finds a live trilobite – that should be a million years extinct.  And large radioactive footprints, and finally, Gojira itself.  In some ways, he is the film’s Cassandra – the prophet whose warnings come true, but are ignored.

In short, Gojira is a wonderful film that has aged well, with excellent moments large and small.  For example, there’s a moment as Gojira is rampaging through Tokyo, and a mother is cuddling with her daughters.  She comforts them by saying that, in a moment, they’ll be reunited with their father.  And they’re presumed to be killed.

Iconic image of Gojira eating traingClearly, not a happy moment.  But a very serious one, that underscores the death and destruction throughout the movie.  And the human cost.  It’s not only the main characters that suffer and pay a price.  Gojira himself is dangerous, deadly, imposing.  And unstoppable.  Unless Serizawa’s mysterious invention can stop him …

I rate Gojira 5 stars, an A+.  I frankly can’t imagine how it could be improved.

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