John Huston’s Beat the Devil stars Humphrey Bogart as Billy Dannreuther, the front man for a group of swindlers stranded in an Italian port town, scheming to take ownership of uranium-rich land in Africa. Also stranded is a naive British couple, Mr. and Mrs. Chelm (Edward Underdown and Jennifer Jones). Flirtations and a web of lies ensue among the group, testing romantic loyalty and allegiances among them.
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In The Boogie Man Will Get You, mad scientist Boris Karloff sells his colonial house to Winnie, frustrating banker Peter Lorre. But he’s been experimenting on traveling salesmen — whose corpses are in the basement! Then Winnie’s ex-husband shows up …
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Mad Love What will obsessed surgeon Dr. Gogol do to be with lovely Yvonne Orlac … When her pianist husband’s hands are crushed? How far will he go…
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In You’ll Find Out, famous band leader Kay Kyser and his group go to a scary old mansion where they encounter a ghostly seance, a murder plot, Bela Lugosi, Boris Karloff, and Peter Lorre! It’s spooky fun for all in this ultra rare classic from 1940!
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In The Stranger on the Third Floor, an aspiring journalist testifies that he saw a young man at the scene of a brutal killing. The man is sentenced to death. The journalist worries that he’s responsible for the death of an innocent man. He begins his own investigation with his girlfriend. But they soon find themselves threatened by a mysterious stranger …
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In All Through the Night, Humphrey Bogart plays a New Yorker with underworld connections who battle Nazi saboteurs planning to sink a battleship.
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Tales of Terror is a trio of Poe horror tales, directed by Rober Corman. Based on: The Black Cat, The Cask of Amontillado, Morella, and The case of M. Valdemar.
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The Comedy of Terrors is a hilarious horror spoof. A funeral director, who is in arrears on his rent, aggressively pursues customers to bolster his business … And the fact that they haven’t died yet doesn’t bother him at all!
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Often typecast as a menacing figure, Peter Lorre achieved Hollywood fame first as a featured player and later as a character actor, trademarking his screen performances with a delicately strung balance between good and evil. His portrayal of the child murderer in Fritz Langs masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: He gave one of the best performances in film history and certainly the best in his life. Today, the Hungarian-born actor is also recognized for his riveting performances in The Man Who Knew Too Much (1934), The Maltese Falcon (1941), and Casablanca (1942). Lorre arrived in America in 1934 expecting to shed his screen image as a villain. He even tried to lose his signature accent, but Hollywood repeatedly cast him as an outsider who hinted at things better left unknown.
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