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Monster on the Campus publicity photo

Monster on the Campus

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Monster on the Campus (1958) starring Arthur Franz

Synopsis of Monster on the Campus

An amazing scientific discovery turns deadly in Monster on the Campus, a classic sci-fi horror film set in the backdrop of a 1950’s college campus. Professor Donald Blake (Arthur Franz) has made an amazing discovery – a fossilized coelacanth, a rare, primitive fish. When the researching professor comes in contact with the fish’s irradiated blood, he transforms into a vicious, prehistoric creature, thirsty for blood. Suddenly, things get really scary when he starts raising havoc on the unsuspecting community of coeds!

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Murders in the Rue Morgue (1932) starring Bela Lugosi, Sidney Fox, Leon Ames

Murders in the Rue Morgue (1932)

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Murders in the Rue Morgue (1932) starring Bela Lugosi, Sidney Fox, Leon Ames

In Murders in the Rue Morgue, Bela Lugosi plays the part of Dr. Mirakle, a showman in Paris a century ago. He is showing his trained ape, Erik, in a sideshow while trying to prove the theory of evolution … By combining the ape’s blood with the blood of a human

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Island of Lost Souls, starring Charles Laughton, Bela Lugosi, Richard Arlen

Island of Lost Souls

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Island of Lost Souls, starring Charles Laughton, Bela Lugosi,  Richard Arlen

Synopsis of  Island of Lost Souls

Island of Lost Souls. After his ship goes down, Edward Parker is rescued at sea. But when he gets into a fight with the captain of the ship that rescued him,  the captain maroons him while making a delivery to the tiny tropical island of Dr. Moreau. Moreau is very secretive, and Parker discovers why.  The doctor is a whip-cracking cruel task master to a growing population of his own gruesome human/animal experiments.  Only the beautiful Lota appears truly human … But she shows signs of her panther ancestry. Parker’s fortunes for escape look up after his fiancee Ruth finds him with the help of Captain Donohue.  But Dr. Moreau has violated one of his own laws, and his bestial creations will hold him to account!

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The Monster and the Girl (1941) starring George Zucco, Ellen Drew, Phillip Terry, Robert Paige, Paul Lukas

The Monster and the Girl

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The Monster and the Girl (1941) starring George Zucco, Ellen Drew, Phillip Terry, Robert Paige, Paul Lukas

The Monster and the Girl is a very good “B” movie, well acted, with a cast that the audience cares about. It begins as a courtroom drama, only to pivot to a horror movie. It begins by telling the story of a small town girl named Susan Webster (Ellen Drew) who yearns for the sights and sounds of the big city.  Over the objections of her protective brother, Scot (Phillip Terry). What Susan finds in New York isn’t what she bargained for, as she is romanced by smooth talking Larry Reid (Robert Paige) who’s intentions are not as sincere as they first seem. Going through a sham marriage to Larry, she is forced into a prostitution ring run by gangster W. S. Bruhl (Paul Lukas).

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Curse of the Swamp Creature (1966) starring John Agar, Francine York

Curse of the Swamp Creature

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Curse of the Swamp Creature (1966) starring John Agar, Francine York

Synopsis of Curse of the Swamp Creature

In Curse of the Swamp Creature, a trio of criminals trick an oil surveyor into bringing them along on his trip to a swamp land. Where a mad scientist is trying to create a lizard/human hybrid to prove an evolutionary theory. By using unsuspecting victims as guinea pigs.  And throw into the mix a voodoo cult, that decides to get revenge on the mad scientist for treating them so badly.

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The Manster (1959) starring Peter Dyneley, Jane Hylton, Tetsu Nakamura, Terri Zimmern

The Manster

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The Manster (1959) starring Peter Dyneley, Jane Hylton, Tetsu Nakamura, Terri Zimmern

The Manster is a low-budget horror movie, based in Japan. The stereotypical amoral mad scientist, Dr. Robert Suzuki (Tetsu Nakamura) starts off the movie by destroying a hideously mutated creature, that used to be human. In fact, its his own brother, setting the doctor’s character for the audience. Putting scientific advancement above human relationships, a point that gets reinforced later in the film.

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