All About Eve: Fasten your seat belts for a bumpy ride. This is the story of an aging actress, undone by a young, ambitious fan. Sophisticated performances by Davis, Sanders and Baxter shine in this scathing look at the world of the theater.
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Swing Out Sweet Land is John Wayne’s tribute to the United States of America. It’s a star-studded tribute to America starring John Wayne, Lorne Greene, William Shatner, Dan Blocker, Michael Landon, Ann-Margret, Lucille Ball, Jack Benny, Hugh O’Brian, Roscoe Lee Browne, Glen Campbell, Greg Morris, Ross Martin, Johnny Cash, Roy Clark, Bing Crosby, Phyllis Diller, Bob Hope, Celeste Holm, Dean Martin, Ricky Nelson, Dan Rowan, Dick Martin, Tom Smothers, Red Skelton, Leslie Uggams, Dennis Weaver, Ed McMahon and more.
It was the highest rated show of the week it aired.
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In Come to the Stable, a pair of French nuns fulfill their promise to God. By moving to New England to found a children’s hospital. A pleasingly warm movie based on a story by Clare Boothe Luce.
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MGM’s remake of The Philadelphia Story as High Society, a star-studded, Technicolor musical with Cole Porter tunes – an underrated gem
I have to admit, I’m torn between High Society and The Philadelphia Story. Both are very enjoyable, well-done musicals that I enjoy and recommend. Both are powerful, but in different ways. I think High Society has great songs and music — Thank you to both Cole Porter and Louis Armstrong. But I find the acting in the original movie more compelling. Both are good, both are well-acted. I enjoy them both and hope that you do as well.
MGM’s bold idea to remake George Cukor’s Oscar-winning upper-class romantic farce, The Philadelphia Story, into a star-studded, Technicolor musical with Cole Porter tunes somehow works splendidly and remains an underrated gem. Even the plot and character names–and some bits of dialogue–all remain the same as the original. Crooning Bing Crosby replaces Cary Grant as the wealthy ex-husband trying to win back his soon-to-be-remarried ex-wife, spoiled ice queen Tracy Lord (Grace Kelly, stunning and aloof in her last film role, originated in the earlier comedy by Katherine Hepburn). Unlike Grant, however, Crosby has jazz great Louis Armstrong, playing himself, in his corner for quixotic persuasion. Frank Sinatra (cocky in James Stewart’s former role) and Celeste Holm add support as the nosy reporters covering, and subsequently complicating, the upcoming wedding.
In Champagne for Caesar, An unemployed genius becomes a contestant on television’s biggest quiz show. And, he goes on to win the company from the show’s sponsor in this funny comedy favorite! Vincent Price gives a career best performance as the eccentric owner of the Milady Soap empire. Along with pitch-perfect turns by Academy Award winners Ronald Colman (Lost Horizon) and Celeste Holm (All About Eve). A rollicking, romantic film comedy!
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Road House has acquired a cult as a prime film noir. Certainly the title location is archetypal, a lounge and bowling alley up toward the Canadian border, and Ida Lupino and Richard Widmark make the most of flavorful roles that would qualify them as exemplary noir denizens even if they hadn’t established that elsewhere. Read More »Road House