W.C. Fields: 6 Short Films – Criterion Collection – This is a collection of W. C. Fields’ short films, as follows:
- The Dentist (1932)
- After preliminaries with ice and golf dentist Fields turns to the problems of hius patients. He wrestles one woman all over the office during an extraction. One man is so heavily bearded he can’t find the man’s mouth and uses as shotgun to flush birds out.
- The Fatal Glass of Beer (1933)
- Mr. Snavely, a Yukon prospector, lost his only son years ago to the temptations of the big city; now the prodigal Chester, released from prison, comes home to Ma and Pa. A parody of Yukon melodrama; includes the famous looking-out-the-door routine.
- The Barber Shop (1933)
- Barber O’Hair has a vegetarian wife at home a pretty manicurist at work. A dog sits in the barbershop which O’Hair explains: “One day I was shaving a man and cut his ear off. And the dog got it. Been back here ever since.” Oh, and he captures a bank robber.
- The Golf Specialist (1930)
- At a Florida hotel, absconding miscreant J. Effingham Bellweather (W. C. Fields) goes slapstick golfing with the house detective’s flirtatious wife and an incompetent caddy.
- Pool Sharks (1915)
- This is Fields’ first movie. a one-reeler (10-15 minutes depending on frames per second), it stars Fields performing the pool game routine which he had performed often in vaudeville.
- The Pharmacist (1933)
- Fields is happy enough in his shop but tormented at home. His wife and daughters drive him crazy (one daughter talks on the phone forever; the other wants to eat the canary).
Editorial Review of W.C. Fields: 6 Short Films – Criterion Collection, courtesy of Amazon.com
Ten years elapsed between W.C. Fields’s debut in the 1915 short “The Pool Sharks” and his role in D.W. Griffith’s Sally of the Sawdust, but it didn’t take long for Fields to become one of the all-time great screen comedians. This essential collection–the silent “The Pool Sharks” plus the five “two-reeler” sound shorts that established Fields’s acerbic style–provides a comprehensive document of the comedian’s work in progress. “The Pool Sharks” develops a routine that Fields created in vaudeville and later perfected on film, with stop-motion animation used here to realize the comedian’s wacky luck at billiards. It’s a clever appetizer, but Fields was a verbal comic, so the two-reelers are the full-course meal.
Like the Marx brothers’ The Cocoanuts a year earlier, 1930’s “The Golf Specialist” mines humor from high jinks in sunny Florida, where Fields is nearly upstaged by a stone-faced golf caddy. The classic “The Dentist,” despite the later addition of strident musical cues, is presented in its entirety, including an oft-censored bit in which Fields tugs a molar from a woman who’s wrapped around him in a highly suggestive position. “The Pharmacist” and “The Barbershop” are variations on the theme, allowing Fields to toss off bons mots and scathing sarcasm, but it’s the anomalous “The Fatal Glass of Beer“–a hilarious send-up of Yukon gold-rush adventures–that proves an unlikely highlight. It’s typically sour-pussed in its agenda, with a running gag (involving the line “It ain’t a fit night out for man nor beast“) that just grows funnier with each repetition. Fields’s comedy wasn’t fully developed here–he became masterful in later features–but 6 Short Films is crucial in demonstrating his rapid refinement of the vintage Fields persona. –Jeff Shannon
Product Description of W.C. Fields: 6 Short Films – Criterion Collection
W. C. Fields’ prolific career placed him at the forefront of slapstick comedy. Gathered here are six gems that feature the comic genius at his peak: The Golf Specialist, Pool Sharks (silent), The Pharmacist, The Fatal Glass of Beer, The Barber Shop, and, of course, the notorious The Dentist. This unique collection will delight new generations of viewers with Fields’ hilariously sardonic routines.