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William Bendix

Star Spangled Rhythm (1942) starring Eddie Bracken, Betty Hutton, Victor Moore

Star Spangled Rhythm

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Star Spangled Rhythm is a patriotic WWII musical comedy featuring all the biggest Paramount Studio stars of the era. Musical mayhem ensues when an attendant at Paramount (Victor Moore) tries to impress his navy son (Eddie Bracken) … by claiming that he is a studio mogul!

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The Dark Corner, starring Lucille BallThe Dark Corner (1946) starring Lucille Ball, William Bendix, Clifton Webb, Mark Stevens

The Dark Corner

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The Dark Corner (1946) starring Lucille Ball, William Bendix, Clifton Webb, Mark Stevens

Synopsis of The Dark Corner

Some men are drawn to women – some men are drawn to murder. In this captivating story of strange obsession, Kathleen Conley (Lucille Ball) and her boss Brad Galt (Mark Stevens)are caught up in something shockingly different…and terrifyingly dangerous. Galt has a secret so terrible; he might have to kill to keep it. In the midst of their budding romance Kathleen and Galt are being tailed by a heavy-set man in a white suit (William Bendix) and though she doesn’t know why or how strong the threat is Galt does and he is prepared to go to extreme lengths to protect himself.

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The Time of Your Life (1948) starring James Cagney, William Bendix, Wayne Morris

The Time of Your Life

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The Time of Your Life (1948) starring James Cagney, William Bendix, Wayne MorrisThe Time of Your Life (1948) starring James Cagney, William Bendix, Wayne Morris

The Time of Your Life is a very interesting, very different movie. It involves a small central cast who sit and watch, and occasionally comment, on the various people who come in and out of a bar. Some people have compared it to the television series Cheers but other than the setting, the two really don’t have anything in common. The Time of Your Life is frankly more like Seinfeld — the comedy that seemingly doesn’t have a plot, and simply showcases the lives of the various characters. If anything, The Time of Your Life is better, because we actually get to see glimpses of the stories of the various secondary characters, which are compelling.  And for other characters — we don’t.

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