In Double Indemnity, insurance investigator Fred MacMurray is enticed into murdering Barbara Stanwyck’s husband. But his partner and mentor Edward G. Robinson isn’t convinced that the death was an accident …
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In Witness for the Prosecution, a wealthy widow is found murdered. Her married suitor, Leonard Vole, is accused of the crime. Vole’s only hope for acquittal is the testimony of his wife … But his airtight alibi shatters when she reveals some shocking secrets of her own!
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In The Major and the Minor, a frustrated city girl (Ginger Rogers) decides to disguise herself as a youngster in order to get a cheaper train ticket home. But little “Sue Sue” finds herself in a whole heap of grown-up trouble when she hides out in a compartment with handsome Major Kirby (Ray Milland). And he insists on taking her to his military academy after their train is stalled. And the inevitable romantic triangle with the Major’s girlfriend.
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Although I’m aware of the actor Ray Milland (Starflight One, X: the Man with the X-Ray Eyes), I’m young enough to say that I’d never seen a truly great performance by him. That was before I watched The Lost Weekend.
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In short, Avanti! is Hollywood excusing adultery. Seriously. The synopsis is as follows:
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Bogie and Holden are the mega-rich Larrabee brothers of Long Island. Bogie’s all work, Holden’s all playboy. But then the daughter of the family’s chauffeur returns from Paris. Sabrina is all grown up, and Holden’s character falls in love. Now the stage is set for some family fireworks as the brothers fall under the spell of Hepburn’s delightful charms.
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