We’re off on the road to Morocco
This taxi is tough on the spine [beats the bu]
Where they’re goin’, why we’re goin’, how can we be sure
I’ll lay you eight to five that we’ll meet Dorothy Lamour [woo hoo!]
Moonlight becomes you, it goes with your hair
You certainly know the right thing to wear
Moonlight becomes you, I’m thrilled at the sight
And I could get so romantic tonight
in Road to Morocco, Bob Hope and Bing Crosby are stowaway shipwreck survivors. They paddle to a North African shore and hitch a camel ride across the desert to Morocco. In order to buy food, Jeff sells Orville into slavery. What a good friend. But Orville’s owner turns out to be the beautiful Princess Shalmar (Dorothy Lamour), who quickly offers to become his wife. Unfortunately, the true reason for the Princess’s proposal soon becomes clear. Her prophet has warned that her first husband will meet a violent death within days of their marriage! Once Bob’s dead, she plans to marry her true love (Anthony Quinn). But the best-laid plans of mice and princesses oft go astray …
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[Editor’s note: in Knock on Wood, Dooley sings the question, and the audience answers]
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In All Through the Night, Humphrey Bogart plays a New Yorker with underworld connections who battle Nazi saboteurs planning to sink a battleship.
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In The Major and the Minor, a frustrated city girl (Ginger Rogers) decides to disguise herself as a youngster in order to get a cheaper train ticket home. But little “Sue Sue” finds herself in a whole heap of grown-up trouble when she hides out in a compartment with handsome Major Kirby (Ray Milland). And he insists on taking her to his military academy after their train is stalled. And the inevitable romantic triangle with the Major’s girlfriend.
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For Me and My Gal is a good many things — an ode to vaudeville, with some excellent song and dance routines, a “boy meets girl” movie, the film debut of Gene Kelly, a patriotic movie — and a very good movie overall. Frankly, what’s most refreshing about For Me and My Gal is that the protagonist is a flawed person. His flaws lead to his problems, and whose overcoming them leads to character growth.
In The Mad Monster, Dr. Cameron (George Zucco) has succeeded in his experiments with a serum which will turn a man into a wolf-like monster and is ready to avenge himself on the men who caused his professional failure. He uses it on his gardener Petro (Glenn Strange) and one after the other is killed by his creation. His daughter, Lenora (Anne Nagel), grows suspicious and confides with newspaper reporter Tom Gregory (Johnny Downs).
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After her husband shoots a burglar in their apartment, Roxie Hart (Ginger Rogers) is talked into pretending she did it by a newsman and a theatrical agent who promise to sign her for a vaudeville tour. Realizing she’ll become a household name overnight, Roxie agrees and becomes the center of an outrageous trial.
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In They Got Me Covered, (Bob) Hope springs eternal in the role of an eager, but not-too-bright, newspaper correspondent. He seeks to expose the activities of foreign spies in Washington D.C. The lovely Dorothy Lamour co-stars.