Going in Style is many things. It is a commentary on how American society treats their aging citizens. It is a wonderful acting vehicle for George Burns, Art Carney and Lee Strasberg. In fact, George Burns won an Oscar for his performance. It is a funny movie, but it is not a happy movie.
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Movie review of Harry and Tonto, starring Art Carney, in his Academy Award (best actor) winning role as Harry, a retired teacher in his seventies living in an area of New York City where he and his deceased wife raised his children – where he’s lived all his life. The building he lives in is torn down to make way for a parking garage. So Harry and his cat Tonto begin a journey across America. He visits his children, sees the world he never seemed to have the time to see before. Along the way, he makes new friends and says goodbye to old ones.Read More »Harry and Tonto movie review | starring Art Carney
What do you do when you have a beautiful house, two great children, and a Marriage on the Rocks? If you’re bored Val Edwards (Deborah Kerr), you swap your fuddy-duddy hubby Dan (Frank Sinatra) for his swingin’ bachelor best friend Ernie (Dean Martin). Watch the sparks fly! Ol’ Blue Eyes breezes through this romantic comedy romp at the head of an all-star cast. Along for the laughs are frequent Sinatra co-stars Martin, Cesar Romero, and Tony Bill, plus daughter Nancy Sinatra and Kerr. The fun starts when the Edwards take a second honeymoon in Mexico. Once there, they fall into the hands of the quickie-divorce/quickie-marriage lawyer Romero. Faster then jumping beans, everybody’s unhitched, rehitched, confused, confounded, and cohabitating. But Dan has the right attitude. “We had a bad marriage”, he says. “Let’s have a happy divorce!”
MGM’s remake of The Philadelphia Story as High Society, a star-studded, Technicolor musical with Cole Porter tunes – an underrated gem
I have to admit, I’m torn between High Society and The Philadelphia Story. Both are very enjoyable, well-done musicals that I enjoy and recommend. Both are powerful, but in different ways. I think High Society has great songs and music — Thank you to both Cole Porter and Louis Armstrong. But I find the acting in the original movie more compelling. Both are good, both are well-acted. I enjoy them both and hope that you do as well.
MGM’s bold idea to remake George Cukor’s Oscar-winning upper-class romantic farce, The Philadelphia Story, into a star-studded, Technicolor musical with Cole Porter tunes somehow works splendidly and remains an underrated gem. Even the plot and character names–and some bits of dialogue–all remain the same as the original. Crooning Bing Crosby replaces Cary Grant as the wealthy ex-husband trying to win back his soon-to-be-remarried ex-wife, spoiled ice queen Tracy Lord (Grace Kelly, stunning and aloof in her last film role, originated in the earlier comedy by Katherine Hepburn). Unlike Grant, however, Crosby has jazz great Louis Armstrong, playing himself, in his corner for quixotic persuasion. Frank Sinatra (cocky in James Stewart’s former role) and Celeste Holm add support as the nosy reporters covering, and subsequently complicating, the upcoming wedding.
Buster Keaton goes back to school and stages a hilarious send-up of university life in College. Keaton stars as Ronald, an idealistic freshman who attends Clayton College in pursuit of higher learning, but finds himself instead embroiled in a war of athletics as he fights for the heart of his beloved coed, Mary (Anne Cornwall).
For the first time ever, Kino International proudly presents a box set of all of Buster Keaton’s classic silent short films in one collection. All films have been digital remastered in high definition and include all new extras. —– DISC 1: THE HIGH SIGN (1920/21 – B&W – 19 Min.), ONE WEEK (1920 – B&W – 24 Min.), CONVICT 13 (1920 – B&W – 19 Min.), THE SCARECROW(1920 – B&W – 18 Min.), NEIGHBORS (1921 – B&W – 19 Min.), THE HAUNTED HOUSE (1921 – Color Tinted – 20 Min.), HARD LUCK (1921 – B&W 21 Min.). —– DISC 2: THE GOAT (1921 – B&W – 23 Min.), THE PLAY HOUSE (1921 – B&W – 23 Min.), THE BOAT (1921 – B&W – 23 Min.), THE PALEFACE (1922 – B&W – 20 Min.), COPS (1922 – B&W – 18 Min.), MY WIFE’S RELATIONS (1922 – B&W – 17 Min.). —– DISC 3: THE BLACKSMITH (1922 – B&W – 21 Min.), THE FROZEN NORTH (1922 – B&W – 17 Min.), DAY DREAMS (1922 – B&W – 19 Min.), THE ELECTRIC HOUSE (1922 – B&W – 23 Min.), THE BALLOONATIC (1923 – B&W – 22 Min.), THE LOVE NEST(1923 – Color Tinted – 20 Min.) —– SPECIAL FEATURES: Fifteen visual essays illustrated with clips and stills, written by various Keaton experts,
