The Amazing Dr. Clitterhouse (1938), starring Edward G. Robinson, Humphrey Bogart, Claire Trevor, Allen Jenkins
Editorial review of The Amazing Dr. Clitterhouse, courtesy of Amazon.com
The Amazing Dr. Clitterhouse is a stylish, often amusing crime drama, this 1938 feature revolves around a central, improbable plot twist that consciously serves its casting against type: as the eponymous doctor, Edward G. Robinson, who had helped define the Warner Bros. style for gritty gangster sagas, jettisons his signature snarl in favor of a plummy, vaguely English accent that underlines his urbane sophistication. Dr. Clitterhouse is a creature of privilege who embarks on a criminal life not out of desperation, but rather through intellectual curiosity; instead of slouch hats and suits, he has marcelled hair and first appears in white tie and tails. He begins pulling off “perfect” jewel thefts as research into the criminal mind, but his gradual immersion in New York’s shadowy demimonde of thieves and fences eventually finds the good doctor between those two worlds.
Black Legion(1936) starring Humphrey Bogart, Dick Foran, Ann Sheridan, directed by Michael Curtiz
Editorial review of Black Legion, courtesy of Amazon.com
Black Legion – One of Humphrey Bogart‘s earliest starring vehicles, this 1936 melodrama typifies the Warner Bros. touch in its modest but potent production values and Depression-era social acumen. Prompted by contemporary news reports of new neofascist groups targeting political and religious minorities, the script conjures up a shadowy, Klan-like organization preying on factory workers to set them against blue-collar immigrants. Bogart is Frank Taylor, a hard-working drill-press operator hoping for a promotion that can help him better provide for his adoring wife and cherubic young son. Frank’s coworkers reassure him he’ll snag the foreman’s post, but when a studious young Polish American gets the nod, Frank’s bitter disappointment sets the stage for the tragedy that follows. Read More »Black Legion
The Two Mrs. Carrolls (1947) starring Humphrey Bogart, Barbara Stanwyck
In The Two Mrs. Carrolls, Humphrey Bogart stars as a struggling artist, Geoffrey Carroll. He is (seemingly) happily married — until he meets Sally (Barbara Stanwyck). Apparently mentally ill, he returns home, where he paints a picture of his wife as the angel of death. Then he begins to poison her.
After her death, he romances and marries Sally, and all is well at first. Until he begins to fall out of love with her, and paints a portrait of her, as well … As the angel of death. Sally, however, begins to put pieces of the puzzle together, and realizes what her husband is trying to do. In the meanwhile, Geoffrey is being blackmailed by someone who’s found out about the first murder. And who finds out why it’s a fatal mistake to blackmail a mentally ill homicidal man.
A lesser-known, but classic Humphrey Bogartmovie, possibly his best performance in the film noir genre – Bogart plays screenwriter Dixon Steele, accused of a murder that he may, or may not, have committed. It is a riveting character study that must be seen to be appreciated.
John Huston won the Academy Award(R) for writing and directing this powerful saga that pits gold and greed in the wilds of Mexico and stars his father (Walter Huston) and Humphrey Bogart. Year: 1948 Director: John Huston Starring: Humphrey Bogart, Walter Huston, Tim Holt
They met on the WB lot. The year was 1944. “I just saw your screen test,” Bogart said to Bacall. “I think we’re going to have a lot of fun together.” And so it began. Listed as the Greatest Male Star of All Time and one the Greatest Female Legends by the American Film Institute, Humphrey Bogart and Lauren Bacall star in the all new Bogie & Bacall: The Signature Collection. This gift set includes all four films that starred one of classic Hollywood’s noted couples.
Sabrina (1954) starring Humphrey Bogart, Audrey Hepburn, William Holden, directed by Billy Wilder
Synopsis of Sabrina
Bogie and Holden are the mega-rich Larrabee brothers of Long Island. Bogie’s all work, Holden’s all playboy. But then the daughter of the family’s chauffeur returns from Paris. Sabrina is all grown up, and Holden’s character falls in love. Now the stage is set for some family fireworks as the brothers fall under the spell of Hepburn’s delightful charms.