Isle of the Snake People (1971), starring Boris Karloff, Julissa, Yolanda Montes, Ralph Bertrand, Carlos East
Synopsis of Isle of the Snake People
In Isle of the Snake People, a small remote island is a home for voodoo rites, death cults and an evil priest named Damballah. Local law officials turn a blind eye to their evil ways … until Captain Labesch arrives from the mainland.
Review of Isle of the Snake People
I’ve often said that Boris Karloff never turned in a bad performance, and that’s still true. That really can’t be said for the rest of the cast. With the exception of Yolanda Montes, who turns in a good performance. The story is more than a little disjointed, but it basically has a straight-laced, by the book police officer named Captain Labesch (Rafael Bertrand) comes to a small Caribbean island, where he’s upset by the disheveled condition of the local police, notably Lt. Andrew Wilhelm (Carlos East) who has a “live and let live” attitude towards the natives … And turns a blind eye to their voodoo practices.
One of Boris Karloff‘s final films, and frankly only worth watching for fans of Karloff.
Editorial review of Isle of the Snake People courtesy of Amazon.com
Voodoo! Zombies! Cannibal women!” exclaims the Chief of Police (Ralph Bertrand) after finding a mutilated corpse shortly assuming control of a mysterious island in the Caribbean. Also newly arrived to the island is Mademoiselle Wunderberg, the niece of mysterious Mr. Van Molder (Boris Karloff) a plantation owner who conducts strange experiments with telekinesis involving his maid Kalea (Yolanda Montes), queen of voodoo. Kalea does lots of scantily dressed snake dancing amid the flames and beating bongo drums, while a painted dwarf in sunglasses keeps the candles lit, and the victims whipped to within an inch of their lives.
Elsewhere, a group of cannibal women devour errant men, and one of Van Molder’s ringleaders has resurrected a zombie for necrophiliac purposes. In the film’s weirdest moment, Kalea casts a spell over Mmme. Wunderberg and she has a dream her double rises out of a coffin and sexually molests herself with a snake. It’s all part of the mysterious plan to make Damballah appear, but the identity of Damballah is a mystery, as are what other horrors may await in this bizarre Mexican-American production, one of Boris Karloff’s final films.